With this narrow wall in my Woolworth Walk Gallery space in mind, I've been creating some smaller & narrow pieces to display. (Located in downtown Asheville, NC on Haywood St. in the historic Woolworth building, completed with original soda fountain.)
With so many homes now featuring open concepts, finding space to hang a larger art quilt may be difficult, however many of us have this type of area in our homes. Perhaps these pieces will find a new one!
 |
| After over 6 months of zero face to face connection with my PTA (Professional Textile Artists fiber group) with social distancing, we gathered on the driveway Barbara's home. Barbara's husband built a rock surrounded fire pit that kept us warm until the sun was able to climb over the mountain. |
We went on to enjoy our brown bag lunches, share recommendations of books to read and TV shows to watch, and concluded with roasting marshmallows for s'mores. We hope for a lengthy Indian Summer which will allow us at least one more outside meeting.
After over a month of obsessive work.. SOLD
"BAMBOO AT DAWN" - 35" x 41"
Japanese cottons, hand drawn, cut & fused machine appliquéd motifs. Machine quilted with metallic thread. Hanging sleeve attached. Contact me if interested.
It's funny how a quilt can seem to physically grow as one manipulates and man handles it through the machine during the quilting process. It's been compared to wrestling an alligator and I tend to agree.
Working with metallic thread is visually such a bonus for the work, but often a headache for the artist. You'd think at my age I would have already learned patience.....
Over two weeks in and the background is pieced, the appliqué motifs have been all hand drawn & cut, auditioned, and fused in place. This last step is what caused a big oops.
I use a smallish hand held iron (HOT) to fuse motifs in place while the work is on my design wall. See the iron here: It's far more efficient and accurate than trying to move lots of pinned motifs to a pressing surface.
This project was quite a bit larger than previous ones and during some minor readjustment, I temporarily placed the iron upside down on the carpet....being sure the hot surface didn't touch it. Hummm....not careful enough, it tipped over and now I have this ugly and unrepairable mess. I'll have to sell this quilt for thousands in order to make up for what it will cost to replace the carpet for the entire loft studio. Big sigh here. Anyone want to bid on this 37" x 43" piece now???
I've never found solid, black, black cotton fabric that doesn't fray more than it should. Why is that? If anyone knows a source, please share. I'm terribly fussy about the look of frayed edges.....which is why it took me years to replace hand appliqué with fusing. Batiks of course work pretty darn well, but there's no such thing as solid black, black. Traditional black fabric is always a problem! Here's a trick I learned from Linda Cantrell....a very skilled appliqué artist. it's another time consuming step, but worth it to me. I run a thin line of Fray Block along all edges to be appliquéd. (Follow manufacturers directions!!) It helps to tame the unsightly thread bits. However, many times have to come back after the machine appliqué has been completed with a tiny sharp embroidery scissors and tidy it up even more.
We are having another rainy fall day here in the mountains of Western NC.....sure wish we could share it with he folks out West who need the rain! I guess I'll just hunker down and start appliquéing all those edges.....happy, happy!
Lucina is other long time reader of this blog and collector of my work. She shared this lovely display of one of my felted wool wall pieces (featuring a sea shell attached with a woven length of beads.
Along side this clever hanging device is a set of prayer beads she created in a workshop and a 1.25" x 2" woven basket made by one of the Great Basin Basketmakers.
As you can see she has quite an eye for art!! Thank you for sharing it with us Lucina!
How encouraging all your comments regarding this project have been.....thank you! I was nearly swayed (by the occasionally lazy part of me) to quilt this unintended color wash wall quilt and call it finished.
But, the creative side of me just couldn't go there.....I strive to create one-of-a-kind pieces. I'm not a pattern follower, preferring instead to develop my own designs. So......here's where I'm headed. The actually applique is going to be a real challenge since I don't free-motion stitch. There will be lots and lots of quilt turning/adjusting, starts/stops, & tying off of threads. But I do love a challenge.
The appliqué audition process is not yet complete.....so I'll just keep you posted as the work continues.
Those of us who sell our work don't often have the joy of seeing how it's displayed. Today I'm sharing two examples....
I've also seen my felted acorns scattered along the center of a holiday table, but unfortunately I don't have a photo. They are fun to make, though of course as all wet felting is.....TIME consuming. They are even more fun to see being appreciated!
Several regular readers requested that I continue posting process photos of what started out to be a simple patchwork of small leftover pieces from my Japanese fabric stash. Turns out it appears to be a wanna be colorwash quilt.
As I've mentioned before, that wasn't my intention, but apparently it's what happened. Here's the completed top, now being prepared for the addition of applique motifs. I sure hope I can combine the two designs into one cohesive piece....stay tuned....
Social distancing at its finest.....driving the mountain back roads on a crisp fall day with our local PCA car club.......
