Showing posts with label surface design. Show all posts
Showing posts with label surface design. Show all posts

Tuesday, January 2, 2018

NEW YEAR - NEW WORK

A new project in the works....what a great way to start the New Year!
I've had this piece of ice-dyed silk noil (left) on my design wall for a couple of months, along with an ice-dyed linen napkin and eco-printed silk motif (right). The later came together fairly quickly and is already in my online gallery for sale.  However, a design for the other piece kept eluding me.
 After following many dead end paths, I'm now on a roll.....
 Of course a roll doesn't mean the construction is going quickly....hand appliqué can be so tedious when sewing through a stabilizer, not to mention the 3 layers that make up the moon.
Instead of tackling the many year end tasks every household must face, not to mention my little cottage industry, I spent the first day of 2018 happily stitching away while binging on episodes of "Vera".

Friday, July 29, 2016

BIG FISH - LITTLE FISH

I guess you can teach an old dog new tricks.  The inability for the time being and hopefully only temporary, of not being able to stitch well enough to do the precision handwork I demand of myself, has forced me to work with new construction techniques.

This is the piece referenced in this post. It's now complete and the world did not come to an end by not incorporating beading or other handwork!

BIG FISH - LITTLE FISH  26" X 15" MARY STORI © 2016
Artist hand dye-painted cotton, machine stitched,
and surface design elements.

Hop over to these blogs to check out what other artists have been up to this week.   Nina-Marie's Off The Wall Friday,  Sarah's Whoop Whoop Friday, and  Crazy Mom Quilts.
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Monday, July 25, 2016

ADJUSTING WORK STYLE

Productivity has been lacking in my studio for far too long!  I'm grateful to those of you who have reached out asking whether my vision has finally improved after cataract surgery.  The answer is sadly and rather frightening, NO. I'm halfway through the "aggressive treatment" the doctor has now prescribed.  It's in the form of 2 different eye drops, 4 times a day, but has yet to help.

So, my love of handwork is now on hold until there is a solution.  Naturally, I can't just sit around moaning and complaining.....instead, my attention will shift toward pieces that can be completed mostly on the machine.  Certainly not my first choice in construction methods, but who knows this may lead to a whole new style!
 This hand dye-painted cotton was machine quilted to provide a 'water' background.  
Years ago while visiting an antique filled barn in Wisconsin, this goofy structured stainless steel fish caught my eye.  Well....not necessarily because I liked it, but because it's just the kind of offbeat item 'the husband' appreciates.  So it came home with me.

Perhaps the design has grown on me after all these years because it became the inspiration to feature a skeletal fish in my latest piece.  Obviously, this is just the starting point, where size, shapes, and colors are being auditioned.


I'm jumping ahead now in the process to show you a technique I'm in the process of incorporating. After the main elements were secured to the background, it became evident that a bit more interest/detail was needed.  Normally, I'd have hand embroidered underwater foliage and beaded more details.  Instead, it was necessary to come up with another method.
 What you see in this photo and the one above is the fusible side of Wonder-Under that has been stenciled and painted with acrylic paint.  I'd read about this ages ago and quickly painted up several large sheets but never used them.

The idea is to pull away the now painted fusible web from the paper backing, cut into shapes, and fuse in place.  HA!  Removable was VERY difficult, destroying about half of everything I tried.  Did I use too much paint?  Not the correct type of paint? Perhaps thinning it would have been desirable??
Fusing was an even worse mess.  Neither using Wonder-Under (waste) paper (saved from fusing other projects) or a Teflon Press sheet were foolproof ways of protecting the iron.  Also, more than half the 'weeds' pulled off the fabric (after allowing them to cool) when I   carefully removed the protective covering. AND for goodness sake, I learned to make sure EVERYTHING previously fused stayed covered. Otherwise the paint would melt right onto the iron if it hit one of the transferred pieces. 

I like the idea, but clearly there are tricks that weren't mentioned when I first read about it.  Have you used this technique?  If so....do comment with suggestions, tips, ideas.....I'm sure all the readers would benefit.