Showing posts with label fabric painting. Show all posts
Showing posts with label fabric painting. Show all posts

Friday, April 5, 2019

FROM PHOTO TO WALL ART


                     

I've been inspired by the photos of a long time friend, Doris Kramer-Sager, specifically those of Wisconsin sunsets.  After promising myself for ages, this week I set about translating one into a small art quilt.

 The first step was to dye-paint a piece of sheer fabric.....
 ......and pair it with an ice-dyed cotton sateen.  (photo not true color....it's reads more red, rather than pinkish.)
 A non-fusible interfacing square was basted to the two fabrics to act as a stabilizer.
 All the layers are now prepared for stitching....with a wide border to accommodate mounting on a frame.
 I don't draw so this step took quite awhile....but with pencil and eraser in hand, I sketched out three trees on tracing paper.  It was pinned to the prepared fabric to act as a guide for the machine stitching.
 It took me one complete Netflix movie to remove & pick out all the paper pieces!  This could have been avoided if the stitching was done from the wrong side, with the heavier embroidery thread in the bobbin.  However, my brain doesn't work that way...preferring to see the stitching on the right side as I work instead.  
Next it was wrapped on a canvas covered wood frame.  I like to finish the back of these pieces with fabric. Hand stitching it in place is a killer task on the fingers since there is no give to manipulate the needle.  But, I feel the polished appearance of the piece is worth it.

SHEBOYGAN SUNSET
8" X 8"
Artist ice-dyed cotton sateen with hand dye-painted sheer overlay.  Machine stitched. Prepared for hanging.



Friday, June 2, 2017

TREES IN SILHOUETTE

5 hours here, 3 hours there, over and over again.....eventually a project gets born. 
 As I mentioned recently, a friend's fabulous scenic photos inspired me to dig out this dyed painted fabric....it was just waiting for the right idea!
 The paper templates turned into fractured tree images.
 Next came lots and lots of machine stitching to provide texture, each tree section is heavily stitched.  The background is closely machine quilted. I thought the piece was complete, but then I had another idea.....
TREES IN SILHOUETTE 33" X 18.5"
Dye-painted cotton, applique, machine stitched.

Follow these links to see what other artists have been up to this week:  Nina-Marie's Off The Wall Friday, Sarah's Whoop Whoop Friday, and Crazy Mom Quilts.

SaveSave

Thursday, May 25, 2017

SUNRISE/SUNSET INSPIRATIONS

I've been enjoying and inspired by beautiful photos my old high school girlfriend DD posts on her Facebook page.  Her latest reminded me to hunt for a piece of painted fabric that I recall creating some time ago.

Of course this doesn't look like much now.....just noodling some possible design motifs.....an idea is forming.....will share when it's underway!

Friday, February 3, 2017

NOT SURE WHERE THIS IS GOING


The Fiber Junkies spend spring - fall months playing with fabric dyes and paints which yields A LOT of fabric.  My preference of working with felted wool can over shadow other fun fabrics.
Yet, my eye seems to meet this small cotton piece every time I glance towards  my painted/dyed fabric stash. (7th railing on the right.) The question was....what the heck do I do with it?
One problem was the flaw smack dab in the middle of the length of fabric which was required removing a narrow section.  yes, I could have covered it up....but...
                      Instead, I decided to incorporate some polka-dot scraps.
Here's one layout idea.  The very top section is the strip cut from the whole-cloth....adding 1 patch to achieve the required width.  Actually, viewing the photo now as I pen this post....it isn't too bad.....  Yet, during auditioning various layouts, I chose not to go this route.
My blogging format preference is to share some step-by-steps followed by the finished piece. Because my plan calls for a lot of hand stitching....that won't happen for awhile.  Stay tuned....

Consider visiting these great blogs where other artists share their work:  Nina-Marie's Off The Wall Friday, Sarah's Whoop Whoop Friday, Crazy Mom Quilts.

SaveSaveSaveSave

Friday, September 2, 2016

I KNEW THIS WOULD BE DIFFICULT

I had this crazy idea that I could create a fabric portrait of our now nearly 11 month old grandson.  Okay, I also KNEW it would be difficult....yet the challenge was intriguing.

I spent hours and hours and hours online researching various techniques.  Lea McComas lessons were quite helpful. By combining several approaches....here's what I did.
 It began by selecting a photo
Cropping it
 Posterizing in Photoshop - I'm not Photoshop savvy so this took some doing, of course now I see how really simple that task was! 
The photo was printed and with the aid of a light box and freezer paper, the face was traced, divided into sections.  Each was assigned a number for its value, with a total of 5 to correspond with 5 solid fabrics. 

Next, each of the marked sections of the freezer paper were cut out and pressed to pieces of Wonder-Under prepared fabric.  One needs to keep careful track because once the piece is cut it's hard to know whether it is the outline of an eye or the mouth!  As is typical in appliqué, you start from the back and work forward, adding each piece to complete what feels like working on a jigsaw puzzle. And like a jigsaw, where one often begins with the corners, I found it worked best to get the outline of the face fused first.
So....finally all the fusing was completed.  AND DRAT......regular blog readers are aware of the trouble I've had with my cataract surgery. My vision is much, much worse than pre-surgery.  AND the promise of seeing color so much better.....NOT!!  So, that's my excuse for not realizing just how dark the #3 color was.....way too dark...which contributed to making this darling little boy look like he's 5!

I kept thinking that quilting with lighter thread would lighten it up....but it didn't.
 After countless days, much hand wringing, and with the help of my fiber buddies......all possible options to rescue this piece were examined.  Finally, it became clear that I'd have to paint it.  GULP!  Thanks to my pal Kate who introduced me to Golden's Paint Medium....which helped the paint flow and blend better. 
 I did several light layers to achieve the right color.
An email from talented blog buddy Gwyned Trefethen, (written after my posting of my last project which also needed rescuing), helped to steady my hand as I painted.  She said: If anyone has courage as an artist, it is you, Mary. Lopping off the bottom of your quilt, then finding a way to make the pieces work together. Courageous and brilliant!  I'm sharing this because it meant so much to me......and it's a reminder how much we share, inspire, and encourage each other via our blogs!  

It took over two weeks to decide how to finish it.  Cropping the face, eliminating the too skinny neck seemed to make him look more his age...though still too old.  I must have pulled every piece of fabric from my stash auditioning ideas for borders.  I cut who knows how many different colors and sizes of mats and tried who knows how many frame options.  In the end, instead of lopping off the bottom of the tree as in my last project.....I lopped off his neck.  

This isn't a masterpiece and I'm not sure I'll attempt another one......yet there is a certain sense of satisfaction that comes from creating such complex piece.
Elan Stori 2016
11" x 13"


Please take the time to visit other artists to help encourage them on their journey....it does make a difference!!    Nina-Marie's Off The Wall Friday, Sarah's Whoop Whoop Friday.
SaveSave

Friday, July 29, 2016

BIG FISH - LITTLE FISH

I guess you can teach an old dog new tricks.  The inability for the time being and hopefully only temporary, of not being able to stitch well enough to do the precision handwork I demand of myself, has forced me to work with new construction techniques.

This is the piece referenced in this post. It's now complete and the world did not come to an end by not incorporating beading or other handwork!

BIG FISH - LITTLE FISH  26" X 15" MARY STORI © 2016
Artist hand dye-painted cotton, machine stitched,
and surface design elements.

Hop over to these blogs to check out what other artists have been up to this week.   Nina-Marie's Off The Wall Friday,  Sarah's Whoop Whoop Friday, and  Crazy Mom Quilts.
SaveSave

Monday, July 25, 2016

ADJUSTING WORK STYLE

Productivity has been lacking in my studio for far too long!  I'm grateful to those of you who have reached out asking whether my vision has finally improved after cataract surgery.  The answer is sadly and rather frightening, NO. I'm halfway through the "aggressive treatment" the doctor has now prescribed.  It's in the form of 2 different eye drops, 4 times a day, but has yet to help.

So, my love of handwork is now on hold until there is a solution.  Naturally, I can't just sit around moaning and complaining.....instead, my attention will shift toward pieces that can be completed mostly on the machine.  Certainly not my first choice in construction methods, but who knows this may lead to a whole new style!
 This hand dye-painted cotton was machine quilted to provide a 'water' background.  
Years ago while visiting an antique filled barn in Wisconsin, this goofy structured stainless steel fish caught my eye.  Well....not necessarily because I liked it, but because it's just the kind of offbeat item 'the husband' appreciates.  So it came home with me.

Perhaps the design has grown on me after all these years because it became the inspiration to feature a skeletal fish in my latest piece.  Obviously, this is just the starting point, where size, shapes, and colors are being auditioned.


I'm jumping ahead now in the process to show you a technique I'm in the process of incorporating. After the main elements were secured to the background, it became evident that a bit more interest/detail was needed.  Normally, I'd have hand embroidered underwater foliage and beaded more details.  Instead, it was necessary to come up with another method.
 What you see in this photo and the one above is the fusible side of Wonder-Under that has been stenciled and painted with acrylic paint.  I'd read about this ages ago and quickly painted up several large sheets but never used them.

The idea is to pull away the now painted fusible web from the paper backing, cut into shapes, and fuse in place.  HA!  Removable was VERY difficult, destroying about half of everything I tried.  Did I use too much paint?  Not the correct type of paint? Perhaps thinning it would have been desirable??
Fusing was an even worse mess.  Neither using Wonder-Under (waste) paper (saved from fusing other projects) or a Teflon Press sheet were foolproof ways of protecting the iron.  Also, more than half the 'weeds' pulled off the fabric (after allowing them to cool) when I   carefully removed the protective covering. AND for goodness sake, I learned to make sure EVERYTHING previously fused stayed covered. Otherwise the paint would melt right onto the iron if it hit one of the transferred pieces. 

I like the idea, but clearly there are tricks that weren't mentioned when I first read about it.  Have you used this technique?  If so....do comment with suggestions, tips, ideas.....I'm sure all the readers would benefit.




Tuesday, July 12, 2016

GIFT TAGS

Given the cost of our fiber materials, it's always so satisfying to come up with ideas to utilize as much as possible.
The bits and pieces of the mono-printed Woolfelt that remained after making numerous covered boxes were like an itch that needed to be scratched. They needed attention!  So, they were cut into a variety of shapes, backed with card stock, and will be used as gift tags.  YEAH!!!

UPDATE:   I'm always surprised  at the interest you readers exhibit!  So because I've already had two questions about this little project let me explain further.  The small left-over pieces of painted felted wool were glued to cardstock with Scotch Super 77.  

It WAS MESSY due to the need to handle all the pre-cut small pieces. They were placed upside down in a shallow cardboard box, sprayed and then at first using my fingers but later I tried a tweezers which was too difficult to manage, turned them right side up onto cardstock.  I covered that with a piece of plastic (grocery store type) and pressed down firmly to provide a good bond.  It was allowed to sit for several hours before cutting away the excess cardstock.

I'm not a fan of spray adhesives for many reasons but my experience has taught me that neither Wonder-Under nor some of the liquid glues would bond well enough to stay secure for any length of time.  The porous nature of the woolfelt can be an issue when bonding.

Also, after spraying my first batch, I placed a sheet of tissue paper in the bottom of the cardboard box to cover the sticky residue before positioning more felt pieces.  Do that each time you spray otherwise glue will remain on the front of the mono-printed fabric. A box used help contain the overspray!
 
A large-eye sharp crewel needle worked well to attach strings to the gift tags.
Here's my pile of completed tags.....  Hope this provides you with the info necessary to create your own boxes or tags.

Monday, July 11, 2016

MONO-PRINTED BOXES

The most recent Fiber Junkie play day found me focused on printing National Nonwoven's Woolfelt using stencils & acyrlic paints.
 This is one pleasing example. 
It was turned into this covered box. I'll opt for working with larger pieces of fabric in the future to cut down on the small leftovers pieces. 
It was such fun, I made more.......

Friday, July 8, 2016

SUNSET ON THE BLUE RIDGE

Handwork is still an issue for me right now and that has given me the push to reorganize my studio and spend more time at the sewing machine.  
This piece of folded/dye-painted cotton was uncovered in the tidying up process.    The horizontal bands nudged my design toward a landscape.  This was far more time consuming a project than I ever expected.  In part because finding the right blues in my stash to depict the Blue Ridge Mountains was a bit of a challenge.  In the end, paint sticks and variegated threads were a big help!
I also learned that just because I was using the sewing machine.....the massive amount of stitching still took a lot of time.
 SUNSET ON THE BLUE RIDGE   25.5" X 13.5"
Dye-painted & hand-dyed cottons, heavily machine stitched.
Detail

Check out what other creative folks have been up to this week:  Nina-Marie's Off The Wall Friday, Sarah's Whoop Whoop Friday, and Crazy Mom Quilts.
SaveSave

Friday, July 1, 2016

FIBER JUNKIES - LATE JUNE MEETING

Fiber Junkies meeting day is one we look forward to all month. During the summer we gather at Val's, who not only generously shares her studio......but we overrun her house as well.  Instead of a single theme this month, we each kinda did our own thing.
 This is a dream group.....talented and giving members who blend together so well.  We each have our own spacious table and supplies are freely shared between everyone.  Note the back wall.....it's FILLED with Val's silk screens....aren't we lucky to have access to them!?!
 Here's one of her border screen....sorry about the poor quality photo.
 And here's a piece Val just screened using one of the designs.
 Judy is tackling a major project, with a deadline closing in, so her goal was to create some fabric that appeared old, with crackling/peeling paint to be incorporated into her design.
Val, whose touch is always magic, is helping Judy with the paint layering process.
 Kate brought previously dyed/painted fabrics to enhance.  She's drawn to images of coastal South Carolina and this fun piece is going in that direction.
 Gen will be moving soon, hopefully nearby, and has decided to get a jump on organizing her fabrics by making kits from her scraps.  A really smart idea. 
We are all soooo very happy Denny has been able to join us again even though she continues to oversee some family health problems.  She can be counted on to get us interested in new directions for our work.  This 'transfer' image technique is one we will be exploring in an upcoming meeting.
 My quest was to mono print some National NonWoven's Woolfelt.  We came up with this (new for us) method during our last mono-printing session.  To obtain good prints when using stencils, one is positioned (or other flat item) beneath a blank silk screen.  Paint is then drawn through the screen....here I used an old gift card.  The screen is simply moved from place to place on the fabric one is printing.
This approach keeps the stencil flat and helps to keep the paint from migrating beneath the cut out areas of the stencil.  It's doubly important in this instance because of the wool's nap. 
 I borrowed stencil from Gen to mono-print dots on the other half.
Once dried, one of Judy's fabulous small screens was used as an over-lay and printed with black paint.
Next, I switched gears to try to give a face lift to this purple (though it may not look purple in the photo) silk noil.  It had been previously altered by bleaching with dry bleach.  The small discharged areas were simply not interesting enough.
This is better!!
 
More printed wool felt 
And a final one.....  I have no plans for their use right now....just happy to know they are there when inspiration hits me.  

Stay tuned for FJ show and tell next post....in the meantime....see what others have been up to this week:  Nina-Marie's Off The Wall Friday, Whoop Whoop Friday, Crazy Mom Sews.



SaveSaveSaveSave